- Capa comum: 340 páginas
- Editora: Createspace Independent Publishing Platform (12 de abril de 2018)
- Idioma: Inglês
- ISBN-10: 1987722833
- ISBN-13: 978-1987722833
- Dimensões do produto: 12,7 x 2,2 x 20,3 cm
- Peso de envio: 445 g
- Avaliação média: Seja o primeiro a avaliar este item
The Constant Caprese (Inglês) Capa Comum – 12 abr 2018
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Having fled their gilded prison in Nice (Nizza in Italian), the boys, guided by their trusty captain O’Reilly on a new, smaller sailing yacht, explore the coastal towns of southern Italy—Procida, Naples, and finally Capri. They are ostensibly killing time until they can figure out a “way home,” meaning San Francisco, with the idea of returning to Australia to fulfill a promise they made many books ago to a now-deceased friend. But fate seems to have them in its sights again.
One consistent motif that has threaded through this extensive series is the ghost of Nick’s great-uncle Paul Williams, the vastly rich and notoriously queer figure who left Nick his fortune. He shows up in Nick’s dreams, offering advice, but also raising questions. Uncle Paul is important in this volume, because Nick and his beloved Carter are, literally and figuratively, at sea.
Capri, celebrated a century ago as a sort of “Fantasy Island” for rich homosexual Brit exiles, male and female, becomes a kind of touch point in Nick and Carter’s journey. Here they encounter a whole gaggle of men of varying ages, ethnicities and classes, who embody the social and emotional conflicts that Nick and Carter have experienced in their life together, and distill it into a clear, sharp truth: Nick and Carter are special, and they have a place in the world, a destiny, that matters. Never has Frank Butterfield gotten quite so existential as he does on this romantic, rocky, sun-baked island.
Of course there are several mysterious deaths, one of which is even tragic. There are plenty of eccentric and amusing characters, lush descriptions of the island and its people; and we also finally get the full story about Nick and Carter’s elusive friend, Gerald Whitcombe. And therein lies quite a startling tale, offering our boys a new insight into what their notoriety means in the larger picture of history.
Sounds portentous doesn’t it?
Once again, as with the last book, “The Leaping Lord,” this book feels poised on the precipice of something new—which, at #20, is pretty astounding. This series is not winding down. Frank Butterfield’s vivid imagination and love of history (and obsession with describing everybody’s height, weight, age and coloring—something I appreciate) is not petering out.
We’ve come a long way from the little house in San Francisco. Where will Frank take us next?
Nick and Carter are gay and ahead of their time. They are out, they are husbands, they are rich and they always manage to stay one step ahead of arrest for their love of one another. This series delights me and I will continue to follow the adventures of these two notable characters and their friends/foes.
You may read these stories out of order but you will enjoy them so much more if you read them in order as they build on one another. If you have a KU subscription, you are in luck. If you don't have KU, I highly recommend you sign up and binge your way through this wonderful collection of stories.
You will enjoy yourself much more if you start at the beginning of the series and work you way through it as each builds on the other. The series is available on Kindle Unlimited. If you are not already a KU customer, this series alone is worth the price of membership! Enjoy!
There were several characters and situations that weren't well thought out or developed. Strangely enough, the whole espionage angle, while handled in a very clumsey manner, was a realistic set of problems during the Cold War Era. It would not have been unusual for the 2MC's to be recruited to spy while abroad, especially by/for a foreign gov. It was well known that European and Soviet spy agencies recruited bi-sexuals for spies because of their ability to compromise foreign diplomats and blackmail them. None of that is touched upon in the last several books, even though the British,French, and Soviets were/are known for it. It is unsatisfying for an author to infer these things with the characters then drop them with a thud.
Very few of the new characters introduced were likable much less believeable. And the likable ones were dropped from the plot or just beside the plot as a diversion. One of the few enjoyable scenes in this book was showing the usually unflapable Carter as anxious and recombing his pompadour 3 or 4 times to shake his nerves. It rang true for me because every Son Of The South I have ever known, straight or gay, ALWAYS had perfect hair.
While not one of his better books, it isn't bad. I found it unremarkable and no big deal to skip.