- Capa dura: 304 páginas
- Editora: Doubleday Books (7 de julho de 2015)
- Idioma: Inglês
- ISBN-10: 0385536534
- ISBN-13: 978-0385536530
- Dimensões do produto: 16,3 x 2,3 x 24,4 cm
- Peso de envio: 1,2 Kg
- Avaliação média: 1 avaliação de cliente
- Lista de mais vendidos da Amazon: no. 333,119 em Livros (Conheça o Top 100 na categoria Livros)
Dexter Is Dead (Inglês) Capa dura – 6 jul 2015
|Prazo||Valor Mensal (R$)||Total (R$)|
|2x sem juros||R$ 50,24||R$ 100,48|
|3x sem juros||R$ 33,50||R$ 100,48|
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Sobre o Autor
Trecho. © Reimpressão autorizada. Todos os direitos reservados
It wasn’t supposed to end this way.
In a flash of steel, yes; a flurry of gunshots, a chorus of strangled moans and anguished sighs, blending with the distant wail of sirens, certainly. A properly dramatic ending with a good body count, a futile struggle against impending doom, even a dash of treachery, absolutely. And then the fatal blow, a few moments of anguish, a last sigh filled with regret for things undone, and fade to black: a fitting end for a life of wicked pleasure.
But not like this.
Not with Dexter in Durance, horribly wronged, slandered, unjustly accused of doing terrible things that he did not even get to do. Not this time, that is. This time, this one catastrophic multihomicidal time, Dexter is as innocent as the driven snow—or perhaps the sand on South Beach would be more apt. Although truth be told, nothing on South Beach is really innocent, any more than Dexter, whose catalog of wicked whimsical works is, to be fair, quite lengthy. It just doesn’t include anything from current events, more’s the pity. Not this time.
And not like this. Not locked away in the tiny chill ill-smelling cell in Turner Guilford Knight Correctional Center—and on the top floor, at that, the special purgatory reserved for the most heinous and unrepentant monsters. Every basic freedom ripped away. Every moment, waking and sleeping, subject to scrutiny. Dexter’s entire world reduced to this tiny cell, no more than a thick steel door and even thicker concrete block walls, broken only by a slim slit that lets in light but does not let out sight. A narrow metal shelf with a thin and battered thing on it, laughingly referred to as a “mattress.” A sink, a toilet, a shelf. Dexter’s World.
And no more than this, no connection at all to the outside, beyond the narrow slot in the door that delivers the Officially Nutritious meals. No Internet, no television, no radio, nothing that might distract me from contemplation of my many uncommitted sins. Of course, I may request reading matter—but I have found through bitter experience that the two most popular titles in the library are “Not Allowed” and “Don’t Have It.”
Regrettable, lamentable, even pitiable. Poor Sad-Sack Dexter, tossed on the sterile institutional scrap heap.
But, of course, who could have sympathy for a monster like me? Or as we must all say in these days of conscience fueled by lawsuits, alleged monster. And they do allege it. The cops, the courts, the correctional system itself, and my dear sister, Deborah—even I, if pressed, will allege that I am, in fact, a monster. And I truly did, without allegement of any kind, flee the scene wherein lay the murdered body of Jackie Forrest, famous actress, and coincidentally known to be my paramour. I was then discovered in flagrante sangre, with the bodies of my wife, Rita, and Robert the famous actor, not to mention the very much alive but scantily clad Astor, my twelve-year-old adoptive daughter. She it was who killed Robert “Famous Actor” Chase, who had dressed her in a negligee and then killed Rita. Poor bumbler that I am, I stumbled in to Set Things Right and instead tumbled it all into deep, dark, endless, and possibly permanent Wrong—and very nearly became Robert’s next victim.
My story is simple, straightforward, and unassailable. I learned Robert was a pedophile and had taken Astor. While I looked for him, he killed Jackie. And as one final irony in our King of Fools Crown Derby, Rita—helpless, hapless, hopeless Rita, Queen of the Scatterbrained Monologue Dear Ditzy Rita, who could not find her own car keys if they were welded to her fist—Rita found him before I did. Robert thumped her on the head, from which blow she died while Robert was busy thumping me and planning a romantic escape with his True Love, Astor. While I lay bound and helpless, Astor stuck a knife in Robert, set me free, and so ended this zany, madcap adventure of Doofus Dexter, Bumbler Extraordinaire. If there really is a God, which is, at very best, extremely debatable, he has a terrible sense of humor. Because the detective in charge of deciphering the carnage is Detective Anderson, a man who has lived his life without making a friend of intelligence, wit, or competence. And possibly because I am so very liberally endowed with all three, and additionally because he knew me to be intimate with Miss Forrest, a thing he could only drool and dream of, Detective Anderson absolutely, without compromise, hates me. Loathes, despises, detests, and abhors the very air I breathe. And so my simple story quickly became an Alibi, which is never a good thing. Even quicker, I moved from Person of Interest to Suspect, and then . . . Detective Anderson took one quick glance at the crime scenes and formed a simple conclusion, undoubtedly the only kind he can form. Aha, quoth he, Dexter Done It. Justice is served. Or words to that effect, probably a great deal simpler and less elegant, but in any case resulting in my promotion from Suspect to Perpetrator.
And I, still reeling from the death of Jackie, my ticket to a new and better life, plus the death of Rita and her entire book of delightful recipes, and the sight of Astor in a white silk negligee—still reeling, I say, from the utter destruction of All the Order and Certainty that was Dexter’s World, past, present, and future—I find myself hauled roughly to my feet, handcuffed with hands behind my back, and chained to the floor of a squad car, which drives me to Turner Guilford Knight Correctional Facility.
Without a kind word or sympathetic glance from anyone, I am led, still draped with cold steel chains, inside the huge concrete, barbed wire–bedecked building, and into a room that looks like the waiting room of the Greyhound station in Hell. The room is full to overflowing with desperate characters—killers and rapists and thugs and gangsters all, my kind of people! But I am given no time at all to sit and consort with my fellow alleged monsters, no chance for a Hail Felon, Well Met. Instead, I am hustled straight through to the next room, where I am photographed, fingerprinted, stripped, and issued a lovely orange jumpsuit. It is fashionably baggy, and the bright colors say spring! The aroma, however, has a less cheery message, blooming somewhere between insecticide and lemon candies made from old Chinese drywall. But I am given no choice of color, nor of odor, and so I proudly wear the orange, which after all is one of the trademark colors of my alma mater, the University of Miami.
And then, still festooned with restraints, I am brought here, to my new home, the ninth floor, and deposited without ceremony in my present tidy nook.
And here I sit in TGK. The joint, the slammer, the Big House. One small cog in the gigantic correctional wheel, which itself is only a little piece of the massive and coldly incompetent machine that is Justice. Dexter is now being Corrected. What is it, I wonder, that they hope to Correct? I am what I am, irredeemably, irretrievably, implacably—as are most of my fellow desperadoes here on nine. We are monsters, stamped from birth with forbidden hungers, and these can no more be Corrected than can the need to breathe. Bird gotta whistle, fish gotta swim, and Dexter gotta find and flense the slippery wicked predators. However InCorrect that may be, it irreversibly Is.
But I am in the Correctional System now, subject to its clockwork whims and institutional hardness. I am no more than an unCorrectable error waiting to be Corrected while the proper forms are filled out and filed and forgotten, however long that may take. Parenthetically, it does seem to be taking quite a while. There is some small tidbit of arcane Constitutional Trivia rattling around in my poor withered brain that mumbles something about a speedy trial—and I have not even been arraigned. Surely this is somewhat irregular? But I am offered no company other than my guards, and they are not terribly chatty, and I have no opportunity to make the acquaintance of anyone else who might answer my polite questions about due process. So I am forced into the ludicrous position of trusting in the system—a system that I know far too well is far from trustworthy.
And in the meantime? I wait.
Life is, at least, simple and regular. I am awakened at four thirty a.m. by a cheerful bell. Shortly after, the slot in my cell’s door, sealed over by a steel flap that is held shut by a very strong spring, reluctantly opens and my breakfast tray comes through on the metal tongue of the cart made for that purpose. Ah, delectable viands! Institutional cereal, toast, coffee, juice. Almost edible, and there is nearly enough! What bliss.
Lunch is similarly delivered, at ten thirty. It is an even greater flight of gourmet abandon—a sandwich containing a cheeselike substance, carefully hidden under a piece of soft and fluffy green stuff that is clearly synthetic recycled iceberg lettuce. Beside it on the tray, some lemonade, an apple, and a cookie.
In the afternoon, under the watchful eyes of my shepherd, Lazlo, I am permitted an hour of solitary exercise in the Yard. It is not really a yard at all; there are no trees, no grass, no lawn chairs or toys. It is in fact a wedge-shaped concrete floor whose only virtues are that it is open to the sky and contains a netless basketball hoop. Of course, this time of year it is usually raining in the afternoon, and so even this small virtue is somewhat double-edged. I also discover that once I am In The Yard, I must stay there for the full hour, or go back to my cell. I learn to enjoy the rain. And soaking wet, I return to my cell. Dinner at five. Lights-out at ten. A simple life of modest comforts. So far the great rewards one reaps from solitude and simplicity, as promised by Thoreau, have not been forthcoming, but perhaps they will emerge in time. And Time is the one thing I have plenty of.
Ten days in jail. I wait. To a lesser man, the endless spell of oppressive nothingness might seem stifling, even soul-destroying. But, of course, Dexter has no soul, if such things even exist. And so I find a great deal to do. I count the concrete blocks in my wall. I arrange my toothbrush. I attempt mental games of chess, and when I can’t remember where the pieces are, I switch to checkers and then, when that fails, to Go Fish. I always win.
I pace my cell. It’s large enough to permit me almost two full steps. When I tire of this, I do push-ups. I do a little tai chi, bumping my fists on the walls with nearly every move.
And I wait. From my wide reading, I know that the greatest danger of solitary incarceration is the temptation to succumb to the dreadful weight of tedium, sink into the stress-free bliss of insanity. I know that if I do, I will never get out, never resume my safe and sane normal life of happy wage slave by day, even happier Knight of the Knife by night. I must hold on, keep a tight grip on what passes for sanity in this veil of tears, hold on white-knuckled to the absurd and baseless belief that innocence still counts for something and I Am Truly Innocent . . . relatively speaking. In this case, at least.
I have certain knowledge, based on vast experience with That Old Whore Justice, that Actual Innocence has nearly as much influence on my fate as the starting lineup for the Marlins. But I cling to hope anyway, because anything else is unthinkable. How can I face even one more hour of this if I don’t believe that eventually it will end—with me on the outside? Even the thought of endless cheeselike sandwiches is no comfort. I must believe, blindly, unreasonably, even stupidly, that someday Truth will out, Justice will prevail, and Dexter will be free to run laughing into the sunlight. And, of course, smirking into the moonlight, sliding softly through the velvet dark with a knife and a need—
I shiver. Mustn’t get ahead of myself. Must avoid such thoughts, fantasies of freedom that steal focus from right now and what to do about it. I must remain here mentally, as well as physically, right here in my snug little cell, and concentrate on getting out.
Once more I flip through my mental ledger and add up the blurred and uncertain figures. On the plus side, I really and truly am innocent. I didn’t do it. Not even some of it. Not me.
On the minus side, it sure looks like I did.
And worse, the entire Miami police force would like to see someone like me convicted for these crimes. They very publicly promised to protect our two Famous Actors, and more publicly failed to do so. And if the killer was some plausible insider—me again—they are off the hook. So if the officer in charge is willing to bend things a little bit, he almost certainly will.
Even more minus: Detective Anderson is in charge. He will not merely bend things; he will mangle them, hammer them into the shape he wants, and serve them up in sworn testimony. He has, in fact, already done so, and it must be said that the legion of Wonderful Haircuts that constitutes the media has been eating it up, for the very simple reason that it is simple, as simple as they are, which is possibly even simpler than Anderson, a shudder-inducing thought. They have lunged to grab my guilt with both greedy fists, and the photo of Dexter Arrested, according to Lazlo, has festooned the front pages and adorned the evening news for over a week now. The picture shows me draped in chains, head bowed, face set in a mask of stunned indifference, and I must say I look extremely guilty, even to me. And I do not need to point out that, moral clichés to the contrary, Appearances do not Deceive, not in our age of Instant Summarized Sound-Bite Certainty. I am guilty because I look guilty. And I look guilty because Detective Anderson wishes it.
Anderson wants me dead, enough so that he will cheerfully perjure himself to get me halfway there. Even if he didn’t loathe me, he would do it because he has a professional hatred for my sister, Sergeant Deborah, who he quite rightly sees as a rival, and one who must eventually surpass him by a considerable margin. But if her brother—c’est moi!—is a convicted murderer, this would almost certainly derail the mighty choo-choo of Deb’s career track, and consequently advance his.
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This book is for fans of Dexter only, and just to complete the set. But as a novel, it just plain sucks. Don't expect clever puns involving the letter D and Dexter's name. Don't expect to read much about the Dark Passenger. Don't expect a satisfying ending. Don't expect good character development. The only thing that keeps it above one-star is that it's Dexter (barely). Otherwise, Dexter is Done. This is Dull Disappointing Dexter that Doesn't Deliver Delight.
It must be difficult enough to write a crime series that is being simultaneously adapted as a popular cable TV program, especially when the plot of the TV series diverges rapidly with the novels. And most especially when the series comes to an end, and perhaps not a conclusion with which everyone is satisfied.
The Showtime series ran for eight seasons and 96 episodes, while there has been a mere seven novels leading up to Dexter is Dead, which is billed as the final one. But what does "dead" mean? One could suggest that Dexter Morgan in the the cable series is dead to the world at the end of the final episode. And how exactly do you kill off a character who is a first person narrator?
Dexter is Dead begins with the serial killer behind bars, but not for any crimes that he actually committed. It follows on the heels of Dexter's Final Cut, where Dexter's lovable but oblivious wife meets much the same fate as she did on the TV series, though by different hands. The culprit is also dead, but no one will believe Dexter when he says he didn't kill the actor, or when he accuses the celebrity of being a pedophile. Especially not Detective Anderson, who is determined to see Dexter in prison for life, if not worse.
Dexter is in prison without bail and without much understanding of the circumstances that have him incarcerated. He's adrift, too blasé about his fate to even wonder about things like "due process" and "right to a speedy trial." He's not terribly concerned about his children, either: his daughter with Rita and Rita's own two children, budding sociopaths in their own right. He is, however, upset to discover that his usually faithful sister, Deb, thinks that prison is the right place for him, regardless of whether he is responsible for the crimes of which he's accused. Deb knows all about her brother's proclivities, and she's finally waking up to the fact that, despite his "best intentions," people die because of him, and sometimes innocents get caught in the crossfire. She disavows him—he's not her real brother, after all.
This lights a bit of a fire under him, sparking emotions he steadfastly denies he has. Then he falls heir to Frank Kraunauer, a celebrity attorney known for getting even the obviously guilty off. How did he come to this top-notch lawyer's attention?
The only person left in Dexter's life is his brother, Brian, who once tried to convince Dexter to kill his sister. Brian is as much of a sociopath as Dexter, perhaps even moreso because he was never trained to pretend to be human, but one of his lifelong goals has been to go on a killing spree with his brother, something that can't happen with Dexter in prison. So he finances Dexter's liberty, although his means of doing so create all manner of problems for both men and put them in the sights of a drug cartel's infamous hitman.
While readers may have had sympathy for Dexter off and on over the course of the series, in these circumstances he's not a terribly likable person, especially compared to the way he was in the previous novel, where he foresaw a life without killing and a long-term relationship that wasn't a sham. True, he seems genuinely concerned about repairing his relationship with Deb, but he is equally concerned about the horrible traffic situation in Miami and his constant quest to find good food.
He needs to prove that the crucial evidence against him was fabricated by a vindictive police detective and to forge some kind of working relationship with his brother that won't leave them both dead. How does that all work out? Well, the title could properly be called a spoiler and Lindsay has said that he intends this to be the final novel in the series. And yet, the problem of the first person narrative and some seemingly arbitrary shifts between past and present tense allow for the possibility that this is not the end for Dexter. Should Lindsay be so inclined, there's enough wiggle room left to resurrect his famous creation.
I will just miss them.
It wasn't. I wanted it to be the fantastic end that some series have, but this was a "meh, well, that wasn't Terrible, I guess...." and I'm not sure how others felt because I was so afraid of reading a spoiler I haven't glanced at another review, but it sure wasn't the Dexter I expected. The plot was shaky, it felt like it rushed to the end after really dragging the beginning.
And there was a serious missing piece of the puzzle.. a huge character that just barely there. And no, not Deb.
Ok I'm getting close to spoilers so I will just say... giving it 4 stars in memory of the other books that thrilled me, that I didn't review.