- Capa dura: 234 páginas
- Editora: University of Virginia Press (14 de março de 2006)
- Idioma: Inglês
- ISBN-10: 0813925169
- ISBN-13: 978-0813925165
- Dimensões do produto: 14,7 x 2,8 x 21,8 cm
- Peso do produto: 499 g
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Sacred Order/Social Order, Volume 1: My Life Among the Deathworks: Illustrations of Aesthetics and Authority (Inglês) Capa dura – 13 mar 2006
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Sobre o Autor
Philip Rieff, Benjamin Franklin Professor of Sociology and University Professor Emeritus at the University of Pennsylvania, is author of the classic works Freud: Mind of the Moralist, The Triumph of the Therapeutic, and Fellow Teachers, and the editor of The Collected Papers of Sigmund Freud. Kenneth S. Piver is a psychiatrist in private practice in San Diego, California. James Davison Hunter is La Brosse-Levinson Distinguished Professor in Religion, Culture, and Social Theory at the University of Virginia.
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This is an essential, indispensable read for anyone seeking to read the modern/postmodern West correctly, and a healing purgative for the children of the Twentieth Century.
This work is important. It's hard to imagine anyone reading/digesting this without having their mind and life seriously reformed. 5 stars are not enough.
I was struck by how personally Rieff takes what has happened and by his willingness to say , I don't like it. I f that doesn't sound like much , consider the fact that most commentary you read on almost every topic is in some sense a paen to nothingness. Think of how many articles youv'e read explaining to you that the purpose of art , even thought itself is to be transgressive and subversive of the existing society.Which always means , not the existing society but what Rieff calls the second world.I have grown extremely weary of reading that kind of recycled banality posing as thought.What is funny , maybe , scarey is you'll read this kind of warmed over dreck in reviews of TV shows.My point being that this has long since stopped being the province of elite culture.Everyone can now be Foucault. In that context Rieffs rather brilliant yelps of protest are salutory.Also salutory is Rieffs embrace of his own roots as a Jew.In the transition to modernity, Rieff has witnessed in his own life what has gone.What has replaced it? A handful of dust.
My Life among the Deathworks is striking in its accessibility. This is not "easy" reading -- then again, no one visiting this page is on the hunt for that -- but it is Rieff with pictures. His incursions, made as they are against mounted attacks on culture (the titular "Deathworks"), feature the images of the Deathworks themselves. Rieff is more humane and introspective than ever, in the service of an ontology that takes the lead in Rieff's taking of sides. Gone are the days of Rieff's academic reticence to dirty his hands with the fleeting passions of culture. Those fleeting passions are now the battlefield upon which the fleetingness of culture itself is being determined.
Perhaps the central Deathwork in Rieff's analysis is Marcel Duchamp's "Being Given," which depicts a decayed female body lifting a lighted lamp. Rather than spoiling the depth and power of the analysis, suffice it to say that Rieff declares against the zombification of society: a culture of death as violent as it is erotic. My Life among the Deathworks is the first salvo of a three-volume series. The next takes aim at the knights of the living dead themselves -- those Rieff calls "the officer class" of the anti-culture.
As for the present volume, it is the most important book written by the most important sociologist writing -- because it reaches to the heart of the central cultural issue of our time. Rieff has written for any reader with patience and literacy -- and a deep disquiet over the rot that can often be sensed creeping over the world. Rieff is not anti-art or anti-artist. His is not a reactionary philosophy. He has no use for the old church civilization, which he pronounces exhausted. But by the same token, Rieff declares himself an honorary Christian, and hews as close as one reasonably can today to the 10 Commandments. His work is, in essence, a discursus on Commandment 2.
What Rieff is for is God -- permanent authority that is fixed but not fossilized -- and the social order he terms in his system of lowercase acronyms "via" (vertical in authority). What his enemies are for is an obliteration of that vertical, and its replacement with an amoebic horizontal of social flesh -- rather than God, one could say, "god" (games on demand).
Anyone inclined toward the preservation of wisdom and order across generations and repulsed by the new pop cult of trans-hood ought scroll back up and order this book at once. Anyone uncertain about what is happening to the progress of western civilization should do the same. Rieff's latest is probably the best entry-point into his whole literature, and beyond that is a vital tool for feeling intellects everywhere.
This is a non-Catholic’s The Catholic as Historian by Donald D’Elia & Patrick Foley (well recommended) and, therefore, another erudite analysis of contemporary anti-transcendental existence, only Deathworks describes the end results of a world without Catholic history. Reiff writes that we live in a world of “permanent negation” (page 33)—the denial of the sacred and a relativity which basically means, “anything goes if you are loud enough.”
Reiff’s clarifications ring true: a neat splitting of cultures into pagan (first world), Judeo-Christian (second world—Reiff wrongly includes Islam which truly is first world as he defines it), and deathworks (the predominating third world of today). “Transgressively, kindly tosh. Liberalism has turned tragedy and transgression, pagan and Christian, into the biggest con game in the Western town; that game directed by toshmasters in academical gown” (page 72). And “third world creation” is “the act of de-creation” (page 98). All is banalized by secularism/atheism:
Sacrament is a fusion with the highest and the central event in the dramaturgical enactment of highest authority. The sacrament as fusion with the highest authority is inverted to the image in Piss Christ as a fusion with the lowest. The highest is identified down in an act of incredible crudity. It amounts to an assault that lowers the Catholic identity of Galatians 2:20 to the level of excrement. Christ is in you, and so you are piss. The excremental assault on the Jews in the middle of the twentieth century is here repeated on Catholics. The alternative to such an identity is an aesthetic identity of race, class, gender, or bagels and lox (page 98).
Reiff spares not homosexuality:
The whole language of homosexuality is a form fusion mythology that reduces the irreducible and must be a form of destruction through mendacity. Every being in either its hereness or thereness is a mode of resistance and completely different from myself. Any effort to reduce that difference, or equalize it, is oppressive and false. But we have sacrificed the clear and distinct Being there to a fiction of equality and of community that cannot obtain in reality (page 124-125).
Believe: the deathworks are made discouragingly clear by the anus of Mapplethorpe (picture included) as the incontrovertible acme of the secularism /atheism culture foisted on us by almost all information technology from the New York Times to Hollywood. I cannot believe we are living in this miasma in which The Fall has to be bottoming out. So to help Easter arrive, I must offer the following:
Technology in all its forms has been removing the planetary, human and divine components of existence by denying that the transcendentals are significant. Matter, identity, truth, oneness, good and beauty are replaced by an artificial virtual reality excitement emanating from the dehumanizing denaturizing electrono-celluloid-inkstool miasma. Thereby, reality is replaced and polluted by non-being. That is, since God and sacred are forbidden, juvenile immaturity never ceases. Therefore, in the practical order, “anything goes” by the ultimate inane pseudofreeing nihilistic massively selfish pollution paradigm of “sperm everywhere” (Squirt/moan and slime/squeal truly represent the permanently adolescent intellectual-emotional acme of all secularism/atheism and its culture of disgust, nipples, squirt and death.)! The answer is to denature, derealize and dehumanize the electrono-celluloid-inkstool miasma as not only non- but anti-transcendental, and therefore the press and media are more unworthy of belief or imitating than that which they deny existence and try to destroy. De-be the stool miasma by overt and covert mocking and the imposing of the same arrogant decreating created by technologically based secularism/atheism imposed by today’s unchilding powermad liberals straight out of Orwell’s 1984. Unfortunately, when dealing with filth, disgust and death, one must get dirty. But “Tu quoque!” is the cry. On all produced for the public should be the label “The press and media are harmful to your health.” The denaturing must be denatured. The dehumanizing must be dehumanized. The meaninglessness must be made meaningless. The deniers must be denied. The nihilists must be nihilized. The excitement must be made laughable by gross biologolizing i.e., global f–ing is much more polluting than global warming, and non-marital sex is really just a form of toileting. Until genital misuse is mocked, sexuality for humans will be unplanetary pollution and never normal as in the rest of the animal kingdom naturally following nature. The liars for whom all truth is relative must be lied about (“relativized”). The frauds of science (all of them) must be shown to be the pretending hypocrites they all are. In short, the electrono-celluloid-inkstool miasma must never be considered credible unless transcendental. So drown the press and media in its own fake liberal openness to all as it censors and represses God, the Church and the transcendental theory of the Universe. Overthrow the dictatorship of the press and media and all the unreality people. Doing such is charitable, decent and transcendental especially for impressionable, gullible and suggestible youth. With the mention of every celebrity (“look at me” fakers from permanent makeup to “don’t have’em” bowel movements) and every newspaper electronocommunications gaggle, youth must giggle. I volunteer. Never write or say “The New York Times” Instead, it is the “New Yuk Slime.” Do the same for all the press and media and all celebrities of secularism/atheism. Use your imagination and call it “truth” as secularists/atheists do. Puns will help. It will get worse. Make it so. Always demean and degrade secularism/atheism and the stool miasma press and media. The children you prevent them from kidnapping may be your own.
The Deathworks are here. Needed are The Catholic as Historian and my pamphlet …And Satan turned into an Angel of Light…
Everyone must stop being so suggestible and gullible—it is death. And without the transcendentals, there is no love, no culture worthy of the name, no virtue, and no nobleness—just secularism/atheism and a dirty-minded schoolboy culture of meaningless excitement and degrading disgust.
It is time to really understand “evolution”: However you act in this life is what will be done to you in the Afterlife magnified by at least 1000. And by The Deathworks, your every sin will be massively received “payback” in return, permanently if mortal, Purgatorily if venial. If in Hell, it will be a never ending infernal recycling self-created self-annihilation by your own sins turned against yourself. If in Purgatory, it will be a restoring reliving of one’s reparable sins being done to oneself. And, if in Heaven, it will be a true, one, good and beautiful ecstacy proportional to your own lived truth, oneness, goodness and beauty. This is real evolution.
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